Three Poems by Michael Lieberman | ||
Lemonade Eduard Oppenheimer headed east, a guest of German transport, squeezed against the lurching planks, dryness in his throat. He alone imagined Venice, the Jewish Quarter near the foundry. The old ghetto scratched his throat. Mandolins did not trill across the water and lilies were not heaped in shining. In the harbor there were no the gondoliers punting the doge and his worthies. Vivaldi was not singing in San Marco, nor the bells. A pitcher of lemonade drew him to a table on the plaza that no longer marked the Jewish Quarter. The sea flooded a last verge of addled sense. He tasted salt fish in the ghettos of Poland. Then he thought only of salt. His brain stem longed for ice. Heaven was nothing but snow. The fluid of his axons dribbled to a halt. Brain waves evaporated in a dry lake bed. Now Eduard Oppenheimer would have his lemonade. Still Life With Tire, Gravestone, and Boulders Because it lacks the formal elements of Cézanne, we need a curator to explain the method and a geologist to put us straight on boulders, a chemist to analyze the rubber of the tire. We must push aside the rasp of leaves and branches, step through the trash and touch the script on this gravestone's face. It marks an unremembered life. Not a gravestone even, but a marker fractured by gene-driven evil and chaotic force.
Deutschland Uber Alles It is said all Liebermans come
MICHAEL LIEBERMAN has published three collections of poetry, including Praising with My Body (a chapbook, Thorn Books), A History of the Sweetness of the World (Texas Review Press, winner of the Texas Review Press Breakthrough Prize), and Sojourn at Elmhurst (New Rivers Press). He is associate poetry editor of High Plains Literary Review and won the 1999 Pen/Texas Prize for fiction. In another life he is a research physician who studies genes and the environment and chairs the Department of Pathology at Baylor College of Medicine in Houston. Regarding the above poems, Michael Lieberman wrote: "They are part of an in progress collection of poems that explores the Holocaust from the perspective of the present and how we witness and remember events that we have not personally experienced." |